The IFPI has told Google it must try harder with its copyright enforcement activities. In its patronizing teacher/student style “Report Card”, the music industry group says the search giant profits from digital piracy, puts up barriers to make life difficult for rightsholders, engages in destructive rhetoric and raises alarmist, self-serving criticism to any legislative proposal designed to thwart infringement.
In the wake of the Hargreaves review the UK is undergoing another copyright consultation review. Of perhaps greater note than the Consultation itself though, is the accompanying notes on evidence. It’s clear the types of sloppy claims that have passed for evidence in the past aren’t going to be tolerated (any more).
Since the recording industry is one of the key supporters of the pending SOPA legislation in the United States, it seems fitting that its opponents should use the medium of song to make their counter argument. Following previous musical escapades in support of file-sharing, Internet and gaming culture, today UK activist artist Dan Bull sharpens his lyrical bayonet and plunges it deep into SOPA’s heart.
Some of the world’s biggest record labels have failed in their attempt to sue a file-sharing developer for copyright infringements carried out by users of his software. During a 2009 trial, Universal, Sony, EMI and Warner had demanded 13 million euros in compensation from Pablo Soto, the creator of the Blubster, Piolet and Manolito P2P sharing applications. A court has now ruled that Soto’s technology is “completely neutral”.
Following an investigation into the legality of a 3 strikes-style anti-filesharing mechanism operated by Irish ISP Eircom, the country’s Data Protection Commissioner has now ordered the practice to be brought to a halt on privacy grounds. But this setback for rightsholders was immediately countered by government promises to swiftly publish an order enabling rightsholders to have file-sharing sites blocked by ISPs.
A week ago today, Megaupload’s now-famous Mega Song was on its way to becoming a viral hit, only to be cut down from YouTube by a Universal Music takedown demand. Following the filing of a Megaupload lawsuit the song is back online, but Universal are standing firm. You can’t touch us on DMCA grounds, the label says in a new filing, adding it can take down any material, even if it doesn’t infringe their rights.
John Wiley and Sons, one of the world’s largest book publishers, is continuing its efforts to crack down on BitTorrent piracy. The company filed a new mass-lawsuit this month, targeting dozens of John Does who allegedly shared Wiley titles online. Talking to TorrentFreak, the publisher states that it’s not their intention to litigate against individuals, but to settle and educate instead.