No

:-)

C’mon, you guys should know the difference.

Yes

Wolverine – not bad, should of been better.

HURRRR DURRR

Strange that it is the 3rd highest gross for 2009 (after 1 month) and well on its way to a place in the top 20 if not 10 of all time.

I am sure all the downloading cost them a number 1 spot … aren’t you..?

Telecine (pronounced /?t?l??s?ni/, /?t?l??s?ni/, /?t?l??s?n?/, /?t?l??si?n/) is the process of transferring motion picture film into video form. The term is also used to refer to the equipment used in the process.

Telecine enables a motion picture, captured originally on film, to be viewed with standard video equipment, such as televisions, video cassette decks or computers. This allows producers and distributors working in film to release their products on video and allows producers to use video production equipment to complete their film projects. The word “Telecine” is a combination of “television” and “cinema.” Within the film industry, it is also referred to as a TK, as TC is already used to designate time code.

Telesync is one of many terms used by movie bootleggers to describe the source material used to make bootlegged copies, normally distributed in Video CD, SVCD, DVD or DivX/Xvid format. It is commonly abbreviated “TS”.

A TS is a video copy of the movie which was shot in a movie theater, often with a professional camera on a tripod in the projection booth, with a direct connection to the sound source (often an FM-band microbroadcast provided for the hearing-impaired, or from a drive-in theater). However, the true definition of Telesync would include the film being syncronised to the camera’s own frame capture rate (FPS) and shutter timing as done by television companies when preparing cellulose film for broadcast. Bootleg TS rarely, if ever, utilise this form of syncronisation which can lead to additional temporal aliasing.

A CAM is a video copy of a movie usually shot with a hand-held camera from a seat in the auditorium and uses the camera’s own built-in microphone to pick up the sound. Usually, the quality is quite poor.

A TS can be considered a higher quality type of CAM, that has the potential of better-quality audio and video.

As technology gets better, the quality of the telesyncs also gets better, though it should be noted that even the best telesyncs are lossy and will be inferior in quality to direct rips from BD, DVD or digital transfers from the film itself (see telecine). Although very few at the moment, some release groups use high-definition video cameras to get the clearest picture possible.

Everybody OK now?

Obviously they don’t.

and

http://en.wikipedia.org/wiki/Telesync

They are NOT the same retards. A Telesync is a cam with direct (line) audio, and a telecine is a digital copy from the film reel.

And sohail20, idk if there is a release of this out yet.. could be wrong tho.

thanks ernesto!

I like Dennis Quaid, but am I glad I didn’t pay good money to see that crap in a cinema.