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Musicians Praise BitTorrent and Creative Commons

While the major record labels see BitTorrent as a threat, thousands of independent musicians believe it’s one of the best ways to gain an audience. The FrostWire BitTorrent client has been promoting independent artists for years, with great success. To celebrate a massive 2.4 million downloads in 2011, FrostWire just released a compilation album featuring free Creative Commons-licensed tracks from 30 artists.

frostclickWith all the negative talk about BitTorrent, fueled by the billion dollar entertainment industries, it’s refreshing to see that many of the people who actually create the music are using it to further their careers.

Tens of thousands of musicians, from those just starting out to those already established, use BitTorrent to give away their music for free.

One of the BitTorrent clients that helps these artists to get noticed is FrostWire. In 2008, the client introduced its FrostClick service through which it promotes independent artists, and not without success.

With help from FrostWire, independent musicians reach a bigger audience than many of the artists signed by major labels. In the last year alone, 2.4 million people downloaded the albums promoted by FrostWire, and according to the artists who were featured, it pays off.

“FrostWire jumpstarted my music career by giving away my album for free to over 130,000 people,” says female rapper Kellee Maize in a comment. “Paying for that type of exposure would have cost me over $50,000 on other outlets such as taking out Facebook ads or Google Adsense.”

“Because of FrostWire I’ve accumulated over 100,000 Facebook and Twitter followers. During my FrostWire campaign, my website has received over 100,000 page views,” she adds.

Some of the critics of ‘free’ music say that it doesn’t convert to any sales at all, but Maize disagrees. The rapper says that thanks to releasing her music under a Creative Commons license through FrostWire, she’s now earning some decent money.

“I’ve been able to sell more albums on iTunes with this exposure and earn a sustainable income off of MP3 sales even though my music is part of Creative Commons,” says Maize.

She’s not alone either. Other artists that were promoted by FrostWire also praise the promotional success it gave them.

“We were truly delighted by the number of downloads we received after our EP was featured on FrostWire. It’s the most effective way we’ve found so far of getting the music out there,” says John from Azoora Feat. Graciellita.

This view is shared by Ryan Egan from The Ugly Club. “I never anticipated the kind of feedback we’ve received from music fans all over the world and it was a great decision to leave our record in the hands of the great people at FrostClick,” Egan says.

To celebrate 2.4 million downloads in 2011, FrostWire has released a compilation album as they also did in 2009. The A Side of the new album features 18 artists who’ve been promoted in the FrostWire client, and Side B is a hand-picked selection of 12 of the best artists who were featured on the FrostClick website.

All all the tracks are completely free to download and share. We’ve embedded Side A of FrostWire Creative Commons Mixtape below, and Side B is available here. For those who want more, here’s another 2.5 gigabyte compilation of some of the best Creative Commons music of 2011.

Enjoy.

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  • Jctennis

    Exposing your music to thousands of people all across the globe is good for your career… whoda thunk it?

  • Oli

    2.4 million downloads.. what an odd celebratory milestone.

    • Anonymous

      it was whatever was downloaded last year, hopefully this year it’ll be double that.

  • Anon

    Bit torrent and Creative Commons are two great tools for burgeoning musicians. It’s too bad bit torrent is being used to infringe on for-sale files, and that pirates conflate the two in their own confusion.

    • http://joshesforchange.wordpress.com/ Josh C

      Bittorrent can be used by major record labels to promote their artists, just like indie artists use it promote themselves. Those record execs should be praising pirates, not trying to sue them into oblivion.

    • Fredrika

      > “It’s too bad bit torrent is being used to infringe on for-sale files..”

      You seem confused. Pirates share their own copies, that they own, not for-sale files.

      Second, what’s for sale does not decide what constitutes an infringement. The fact that copies of a copyrighted work is for sale does not mean that filesharing copies of said work constitutes an infringement.

      Third, the thesis that something “too bad” exists as a result of pirates filesharing has never been proved. The music industry currently has higher turnovers than ever before, in a fully functioning symbiosis with filesharing.

      > “..and that pirates conflate the two in their own confusion.”

      Pirates have never been confused. You however continuously seems to be, having a hard time understanding who’s property that’s involved in filesharing.

      But facts where never your strong side, now was it?

      • http://profiles.google.com/zerianis10 Christopher Kidwell

        True….. Anon keeps on thinking “IF THE PIRATED COPIES DIDN’T EXIST, PEOPLE WOULD BUY THE REAL THING!”

        Farking HARDLY! Not when the real thing is so outrageously expensive today. Yes, 10 dollars a CD is TOO EXPENSIVE, even if it has 20 tracks on it.

        Cut that price in half and MAYBE the newly poor Americans, due to Bush’s horrific stock market crash, will buy the product.

        • Fredrika

          > “Not when the real thing is so outrageously expensive today.”

          From an culturally economical point of view the price doesn’t matter. Regardless of the price, paying someone for manufacturing and distributing a copy is a waste of money, since everyone can do that themselves for free. Paying for a job that technology has made obsolete is uneconomical.

          There are many products and services you can buy, products and services that are built around the use of an intellectual work, products and services that people themselves can not provide. Those are the products and services that it makes some sense to buy. Buying those, every cent you pay will be put to good use, paying for something that’s needed, that you can’t provide yourself.

          The single product and service of manufacturing and distributing copies is not one of them. It isn’t needed any more. It adds no additional value to consumers, that consumers can’t provide themselves.

      • Sin

        “culturally economical point of view the price doesn’t matter. ‘

        Well, that’s not entirely true. The price is only irrelevant if the individual seeks only to get only the current product. If however, they seek to ensure future production by the creators of the cultural good, then it makes sense to spend money to ensure future production.

        It’s as you said yourself, spending money makes sense for “services that people themselves can not provide.” Well, people can’t provide the service of quality culture for themselves. Therefore, it makes sense to pay those who can, to ensure they continue to do so. It all depends on the goal of the consumers, and we can’t assume that their primary goal is getting the current cultural products for the lowest cost.

        That’s probably not against anything you’re saying, just stating it for clarity.

        • Holy sh*t!

          “Well, people can’t provide the service of quality culture for themselves.”

          That may very well be the dumbest thing I’ve ever read here on TorrentFreak.

        • Sin

          Not really. Think about it. Can I make great songs? No. J can’t. I could spend my whole life devoted to that purpose, and i guarantee you that I’d produce nothing of worth.

          I can fix my own house, repair my own car, make my own food; I can fulfill all of those services by myself. However, I can’t produce great video games, great music, or great movies. I’m simply not capable of it. Therefore, it’s in my interest to ensure that others with the talent, time and inclination to do so, actually do so.

          Make more sense?

    • Jdtrinkmeister

      We made mix tapes and copied whole albums to share with our friends when I was a kid. If we liked what we heard, we saved our money and bought the album. If not, we recorded another album/mix to share with our friends. The only thing that has changed is the recording medium.

    • Tesla

      u jst don’t get it -(

      can u say bye bye dinos?

    • Owoo

      Nooo! Not murdock gay and his friends again!

    • Guest

      So filesharing works for burgeoning musicians, giving away music for free results in increased exposure and sales for burgeoning musicians… But it doesn’t work that way for established musicians?

      lol. Anon logic-fails again.

      On one end of the spectrum, you’ve got burgeoning musicians like Kellee Maize making money by embracing filesharing and releasing their music for free. On the other end of the spectrum, you’ve got well established musicians like Trent Reznor making money by embracing filesharing and releasing their music for free.

      The RIAA and its stooges used to argue that the business model of releasing your music free music and relying on voluntary donations/optional song purchases for financial support only worked for big names like Trent. But now the resident RIAA stooge is arguing that it only works for unknown indies like Kellee?

      Allow me to lol some more. What’s next? “Oh yeah, it works for the small indies and the big established acts, but it doesn’t work for the musicians in between…”

      Bottom line: whether you’re an unknown or a big name, whether you give your music away for free or are a “victim” of piracy… Filesharing promotes you and gives you sales. It doesn’t make you lose them. It doesn’t hurt musicians.

      What it does do is threaten the likes of the RIAA, who act as bridge trolls between artist and consumer – robbing both with wild abandon.

      Which is yet another reason to fileshare.

    • ndmushroom

      “The pirates conflate the two”? Seriously? Are the pirates the ones predicting the “surge of piracy” due to the rise in internet speeds? Are the pirates the ones asking for torrent sites to be blocked, regardless of whether they host legal content or not? Are the pirates the one pressing google to remove the word “torrent” from its search auto-suggestions? Are the… what am I doing here? Arguing with a troll? Nope, I DO have a life, so this is over.

  • Cyke1

    what used to cost millions in production, licensing and other costs can all be done for as little as few hundred $ with bit torrent and it can reach billions of people instead of a few million. But big record companies still use old idea’s from the 80′s for their business and “they are analog players in a digital world”

    • Ven

      Slight correction: a few hundred with bit torrent can come close to what millions in production and marketing can do. Dollar for dollar using the internet and BT is by far the wisest investment, but the reality is that Taylor Swift makes more money than she would self-releasing, and her original investors are glad they invested those millions.

      Two different yet perfectly viable business models.

  • http://www.twitter.com/echoman74 echoman

    Hell yeah fuck the labels!!! it’s all about free enterprise make your own damn money fuck 3rd party companies that STEAL from artist.

  • http://twitter.com/icanhazsake Ninja

    You know, TF, the album is good and everything but the epic win in this article is that 2.5Gig compilation. I’m most definitely downloading it <3

    Discovery. The interwebz does it right.

  • http://joshesforchange.wordpress.com/ Josh C

    Interesting group of songs TF. This is the future and major records don’t even want to admit it, because it scares the crap out of them. It’s already happening, and we all know that SOPA/PIPA is them trying to shut up all the indie artists that are coming to the forefront because of the digital revolution.

    • Anonymous

      You are right on the money. What they want with SOPA is to take away these channels from artists that no longer will need them.

      They know “Free” + internet distribution is what the younger generations think music should be, when an indie artist can get in front of millions paying $0 (youtube, bandcamp, bittorrent), what do you need a label for.?

      • DannyUfonek

        What we need now is to not let these leechers obstruct, as the world is changing, and life works this way: Evolve or Die! So when the labels finally die off, the world will be a better place.

        • KFC

          Unfortunately middlemen with commercial interests will always find a way to obstruct ways to cut them out. Middlemen aka leechers will forever be a blight on human society.

          Have we forgotten how the investors cut off their funding when they came to know that Tesla invented a way to harness unlimited energy from the atmosphere for free and also wireless energy transmission? They did it because if Tesla’s invention came through, they would no longer be able to charge for electricity by the meter. Its only because of the greedy middlemen that we are still having to pay for electricity by the meter. I am afraid the labels won’t go down that easily either.

        • Sin

          I don’t disagree with you overall point about commercial parasites and whatnot, but I think you’re wrong about the Tesla bits.

          Tesla never claimed to have found a way to harness unlimited free energy. What he did claim, and do, was wireless energy transmission. For this, the energy still had to be produced at a power plant, and could then be beamed anywhere. The problem was that this method was inaccurate, and had a huge problem; anyone could tap into it. If you were dealing with limited energy, as Tesla was, and the power companies still are, then it’s a problem if any jackass can tap into it and drain the electricity. As a principle, it was fascinating. As a practical device, it was a bit useless.

          A better example about Tesla would be the attempted suppression of alternating current, and how it took years for a superior system Tesla invented to catch on (due to Edison, of course).

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  • Sparx
    • Anonymous

      That’s so awesome.

      Why can’t people in real life be more like the one you find on the internet?

  • Alyssa Blindy

    This is great; these artists are definitely doing the right thing.

  • Ryan Egan – The Ugly Club

    Let’s hear it for free music! Grab The Ugly Club’s ep on Frostclick or directly at http://www.theuglyclub.bandcamp.com ..super duper free.

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  • Sticketwicket101

    Nine Inch Nails has embraced this kind of freedom for years.
    Metallica has always fought against it.

    I wonder what Neil Yung would say.

    • Ven

      Something racist.

  • john

    Tixati is a even better way for someone to spread what they have created. They have recently released a new version that has chat and search features. So an artist or anyone for that matter, can say make a channel that shares all their stuff (vids, links, audio), and anyone that joins their channel can enjoy the channel makers creations and/or share stuff themselves. An artist can also join other rooms and share their creations or anything else they want with the others in the various channels.

    • got teetht?

      is tixati a torrent client or a chatroom?im confused lol

      • john

        I guess you could say it’s both since you can download and share torrents and magnet links and you can chat with people. On the website they refer to Tixati is a New and Powerful P2P System. Whatever it is it’s a great program, lots of fun, and a great way for others to share what they have made or what they like.

        • ndmushroom

          John, you seem to love tixati, you keep posting about it all over the forum. I only hope your heart is pure and not spam-fueled. :-)

    • Anonymous

      no mac support? meh.

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  • Rock3r

    start save torrenting guys

    i needed offshore hosting and tried http://www.biohost.info and it’s the best service I’ve ever had!

    http://biohost.info/index.php?p=webhosting

    They even got seedboxes! http://biohost.info/index.php?p=seedboxes there also one of the best seedbox host out there and seedbox and only way to save torrenting because no one want police in front door

  • Idontwannasaymyname

    Man, when the last song started to play I was all like o_0 0_o o_0 0_o

  • Hicks

    Awsome, Awsome music!!! :)

  • djc

    Some mainstream artists embrace torrents. Trent Reznor and Radiohead come to mind. Metallica has been brainwashed by their label. Metallica used to encourage bootleg tapes back in the day. Another reason I believe the labels don’t like torrents is because independent musicians can now bypass the labels and go directly to their fans and make more money without the corporate cartels stealing it all. There is a lot of independent music that is far better than the mainstream stuff and that causes unwanted competition with the labels.

  • http://www.chaostheoryband.com/blog/chaosalex Alex Coulstring

    It has taken major labels time to catch up with the world. While indie artists embraced the technology to get their music heard, the major labels resisted it and it bit them in the ass. Now because of the tools an independent artist has, getting signed doesn’t appeal as much. Trent Reznor just recently left his label to take his music independently. I personally seeing this as the direction and its just now the major labels are starting to recognize it. Great article!!!!

  • http://pulse.yahoo.com/_D5H4ISWIJUQO3N2R2RKUIGQPDI Michelle

    @frankyl……Simple tips & tricks about business,money and how you can get a nice income every month by using the internet: LazyCash4.com

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  • http://www.danosongs.com @DanoSongs

    DanoSongs has had 1.8 million downloads through Mininova in 3 years. Every time I check my stats there I can’t believe my eyes. Dan-O

  • http://www.danosongs.com @DanoSongs

    DanoSongs has had 1.8 million downloads through Mininova in 3 years. Every time I check my stats there I can’t believe my eyes. Dan-O

  • Guest

    DanoSongs has had 1.8 million downloads through Mininova in 3 years. Every time I check my stats there I can’t believe my eyes. Dan-O

  • http://www.danosongs.com @DanoSongs

    Sorry, disqus posted that 3 times!

    • Anonymous

      I deleted the others

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