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Court Recognizes DMCA Safe Harbor in Universal v Grooveshark Lawsuit

Two years ago, Universal Music filed a lawsuit claiming that streaming music service Grooveshark carried unauthorized copies of the label’s pre-1972 music catalog on its servers. Universal’s angle was that because of the age of the music and the dating of legislation, DMCA safe harbors are not available to Grooveshark. Yesterday a judge disagreed, and this wasn’t Grooveshark’s only success. The company will now be allowed to push ahead with counterclaims said to be worth tens of millions of dollars.

Streaming music service Grooveshark has always compared its service to that offered by YouTube. Users come along, upload content to their servers, and the same is made available to the public.

Again, just like YouTube, Grooveshark says that if any rightsholder has a problem with any content being made available, upon correct notification and in line with relevant law it will remove access to said content. This is how the DMCA works – as long as the correct procedures are followed it exists to stop service providers being held responsible for the infringements of others.

However, in January 2010, Universal Music Group filed a lawsuit in a New York court in which it claimed that Grooveshark had copies of its music in its archives. But there was an interesting twist – Universal said that since the music came from the company’s pre-1972 back catalog and was therefore covered by New York state law and not the federal Copyright Act, Grooveshark would not be able to rely on the safe harbor provisions of the DMCA.

After a summary of the DMCA’s requirements including the responsibilities of both copyright holders and service providers and what the latter must do to receive safe harbor protection, yesterday the Court reached its decision.

“There is no textual, or other reason, to think that Congress intended to limit that distribution of responsibilities to only post-1972 recordings,” Judge Barbara R. Kapnick wrote, effectively neutralizing the first element of Universal’s unconventional attack on Grooveshark.

In a response to the 2010 lawsuit, Grooveshark parent company Escape Media had also filed several other counterclaims, not only on the issue of the DMCA, but also concerning competition.

Escape stated that it is a competitor to Universal and that the music company had engaged in an unlawful anti-competitive campaign “to exploit its sizeable market power by coercing third party business entities into refusing to deal with Escape” and Escape had suffered significant damages as a result.

Escape said that Universal coerced two of its advertising partners – Hewlett Packard and INgrooves – into breaching their contracts and terminating their relationships with Escape. The deal with HP is reported as being worth $325,000. Escape also claim that Universal had their Grooveshark app pulled from the Apple App Store.

Universal tried to have these and other counterclaims dismissed. They succeeded on one point concerning antitrust, with the Judge noting that those laws were enacted for the “protection of competition, not competitors” and that injury to a competitor [Grooveshark] is not “injury to competition as a whole.”

The end result though, with the lion’s share of the counterclaims against Universal allowed to stand, is great news for Grooveshark.

A source close to the company told TorrentFreak they are “thrilled” at the prospect of counterclaims worth “tens of millions of dollars, if not more” going through.

Who knows, maybe they might prove to be a good point of negotiation in the other case the companies are still fighting?

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  • Downfall

    Why isn’t Universal shutdown already?
    Isn’t it time the world see who they really are and finally just shut them down?

    • Lolk

       What do you mean, “finally just shut them down?” It’s a company, it’s not in ours or anyone’s rights to force it to shut down. If we want it gone, we have to make it obsolete, not just by making better services, but by making those better services as public as possible. Fortunately, we’re well on the way to doing that.

      • Downfall

         You’re right, I was just blowing steam because, watching them get away with so much shit to companies is maddening. Hopefully we can change all that through making universal obsolete. Younger generation will do that for the rest of us.

        • Lolk

          Fair enough. Can’t blame you for being pissed at them. It’s frustrating to see their manipulation of the legal system. With the increasing amount of business options available to both consumers and artists, and the possible reforms of the copyright system, I don’t think Universal will remain a problem for too long. Pirates will rejoice when it finally falls.

        • DurkaDurkaStan

          You could accuse them of funding terrorism. Universal says copies sold for profit fund terrorism. Universal fails to protect its products, allowing them to be copied and sold. If Universal did not make these products in the first place, a vital source of terrorist funding could be eliminated. There is only one conclusion to this.

        • Guest

          Not really. That’s a fallacy called victim blaming. If you place an impossible or unreasonable burden on someone (like stopping piracy), and then blame them for the consequences of that burden not being filled, then it’s victim blaming. It’s similar to saying that if someone steals a gun from you and shoots someone, you’re responsible for not stopping him from stealing the gun. Another example; saying that a woman is responsible for her rape because she dress provoctavely. These are obviously not morally comparable, and Universal is not a victim of anything, but when the unrealistic requirement is placed and blame is given based on that requirement, it’s victim blaming.

          So, the only conclusion we could make there is that Universal is not responsible of funding terrorism.

        • http://twitter.com/BeatriceDFisher Beatrice D. Fisher

          so when GrooveShark will fill up a multi-billions lawsuit for harassment?..MayorMoney.blogspot.com

        • http://profiles.google.com/zerianis10 Christopher Kidwell

          Durka, some people would call what you are pushing ‘twisted logic’…. I say that it’s logical period, that automatically makes it true.

        • Guest

          Kidwell:

          It’s not really twisted logic, it’s just a logical process that follows from incorrect propositions. In short, it is valid, but it is not sound. If the propositions Durka started with were true, then he would be correct, but the proposition that an entity can be blamed for actions that are out of their power to control is a fundamentally flawed proposition. We can see this by applying it to filesharing; Megaupload is responsible for every piece of CP or copyrighted works or anything else illegally uploaded to their servers, even though they could not stop the content from being uploaded. When the logical process is applied to a different context, we can see that it does not work. Because logic is context-blind, if our process does not work in one example, it can not work in other examples without added or removed variables. Therefore, we can say that Durka’s logic is not twisted, is is simply derived from incorrect propositions, and his conclusion has no logical basis. (I would add that although disproving his logical process does not necessarily lead to his conclusion being wrong, he does now have no sound argument for his conclusion, and by default it should be rejected until a new argument is presented.

          TLDR; not twisted logic, just false logic.

      • MC

        Not in anyones right to just shut it down?

        Tell that the Mega.

        • Guest

          Nope, it’s not even Megaupload’s right to shut them down. Now, it is (pending court decisions) Mega’s right to sue them for oodles of money, but shutting them down simply isn’t their right. If they happen to shut them down by giving a better service, that’s also cool.

        • Anyone

          I think he meant why was Mega shut down but not the criminals that are Universal?

        • Guest

           Ah. I see. I guess because no one’s brought them to court for their crimes. Megaupload should. That would be nice to see.

      • hosa

        u sir are a dog. united people are the most powerful force on earth, more powerful than capitalism, and dogs like u cant realize that, because well, they ARE dogs.

        • Guest

          I enjoy insults. They make arguments work much better.

          Honestly, I’m not even sure what response to make. You seem to think that persecution of United without court procedures is justifiable because some people might want it. That is simply wrong. We need to prosecute United with the legal system, not persecute them outside of it.

        • Guest

          I see the edit to your post, and will respond to it.

          We do get to make choices, but our choice should be to use our political power and our purchasing power to A. change the political leadership to those who support our cause and B. deprive Universal of money by using other services. Any entrepreneurs among us can also start new services for us to use.

          If we engage with violence, our cause will be irreparably damaged. Many people only support pirates because we stand up against an unjust organization. If we begin using violence, their opinions will instantly shift, and the will of the populace will turn strongly against us. Whoever we target will be martyred in the eyes of the public, and we will be demonized. So long as the citizens of whatever country we happen to live in believe in democracy, we can create any lasting solution to our problem with a violent vigilante solution. Patience and determination can win this war for us, not rashness and haste.

          Use the court system and the court of public opinion, and Universal will either be defeated in court, or will be shown to cheat in court. Either way, we make progress.

  • ken147

    Take that Universal Music!!!!

  • Anonymous

     first!

    • LOL

       Apparently not!

    • Blazeflack

       Not really

    • Guest

      Idiot.

    • Danny

       Epic fail!

  • Gtsosokwinkle

    Have you seen this? 
    http://tinyurl.com/cwrqycj

  • beaver

    so when GrooveShark will fill up a multi-billions lawsuit for harassment???

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  • Master

    It’s about time.

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  • tindopindo

    Well now, that jsut makes a ll kinds of sense to me dude.
    Mega-Privacy.tk

    • Pham

      imformation good!!thank admin
      but i think people can see more http://www.hitechx.com/category/mobile/

  • djnforce9

    Hopefully Grooveshark wins and gets every penny of those tens of millions. The larger gouge against those vultures in the music industry, the better for everyone. The ancient business models and those behemoths that represent it need to die and the faster, the better it will be for all the new start-ups that embrace technology rather than constantly fight with it.

    • Timmy

      to be fair grooveshark is also seen as a “vulture” in the music industry… http://digitalmusicnews.com/stories/100711grooveshark is the indie artists opinion on Grooveshark (read comments).

      but yes, this business model is much better. I prefer Spotify mind you. It’s a shame the indie artists can’t earn much (as it requires millions of views just for $1k). Bandcamp is the best model for indie artists but it lacks a form of promotion – which grooveshark has managed to achieve with it’s radio player.

      • Mwhahaha

        Until a nonprofit distribution service starts online, there will always be people out to make a fortune off other people’s hard work.

        Labels like Universal, cyberlockers like MU, established services like itunes, new methods like grooveshark or blatant pirate sites. They’re all after the same thing, cash for handing out work other people have done.

        The more things change the more they stay the same. Bottom feeders, both old and innovative rip off artists and always have.

        The net should really be the gateway for artists to be able to distribute their own work and get all the profit that comes from that distribution. Instead we’re just heading for a new system where labels are replaced with sites who act in very similar ways.

        It’s all about the money, man.

        • Guest

          I think that part of the reason things stay the same is because many of these services provide the artists with services that they can’t get on their own, including marketing, business aid and start-up investment.

          Well, consider this. A lot of artists want to become successful and well known, but many artists have no knowledge of business, marketing or distribution. In addition, many artists (particularly for games and movies) don’t have enough start-up money to make what they want to. In these instances, isn’t it beneficial to the artist to join an established service?

          If we want change, we can’t just speak of appealing to the consumers, we have to speak of appealing to the creators. If the creators see benefit in the services, then even if we the consumers don’t like them, the services will stay in existence.

        • FreeUlysses

           ”They’re all after the same thing, cash for handing out work other people have done.”

          No offense, but this sounds like an agenda-driven, or just ignorant opinion. Businesses want to get paid for creating a marketplace. Providing an efficient means for goods and services to be bartered, bought, and/or sold. The customers and vendors can both enjoy a flea market, but shouldn’t begrudge the lot owner and builder of the tables and stations and restrooms their due. It’s all to provide the market that both artists/producers and consumers/buyers need for a win-win relationship. There is no free lunch. There are no servers that are free of charge, with free electricity to run them, free RAID arrays to back them up, free staff to patch them with operating and vulnerability updates, etc., etc. It takes ALOT of money to provide a marketplace to others.

          Grooveshark is trying to do it in a more efficient manner than Universal. Universal wants to destroy the competition, rather than compete with it. They use cloak and dagger tactics, their buddies in the media market, anyone who can be intimidate by a chance to work with them or partner. Glad to hear the GShark victory, and hope more innovative marketplaces can be developed, and supported by the larger community.

          Don’t hate on capitalism or business, when it is trying to efficiently provide you with options you otherwise would not have.

          I have no affiliation with GS, Univ, the industry, none of this. I just saw the news item, and read the comments.

      • Mwhahaha

        I’ve read thru some of those comments and they are quite enlightening. And depressing. 

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  • ThumbsUpThumbsDown

    So, UMG’s Lawyers told the UMG Boss, “Boss.  We can bury GrooveShark’s claim to DMCA Safe Harbors by claiming that DMCA doesn’t apply to our pre- 1974 Catalogue.” 

    However, we can bet this pretty little theory wasn’t pretty enough all by itself to send UMG on its multi-million dollar bungee jump into the Federal Courts. 

    I’m sure the Big Boss Man at least paid lip service to the question, “What happens if the Judge at issue is a recidivist Hippie with a lingering anti-cororporatist bent?” 

    The Lawyers, being lawyers, have answers, “These GrooveShark Guys are relatively New Kids on the Block.  Strictly Low Stamina and Low Budget.  We’ll wipe out their Litigation budget in the first inning.  We’ll stretch out the process; we’ll get the politicians to write new laws to our liking; we’ll cut them off from payment processors; choke off their advertisers; relegate their Constitutional claims to Administrative Arbitration Channels; confiscate their servers; show them general warrants requiring full cavity body searches.  We’ll chop their heads off so fast, they won’t know that their skulls have already hit the ground.” 

    You can see that these are not actually Legal answers.  In fact, they have something maliciously extra-judicial about them. 

    Yet, those are the arguments that make Copyright Holders go to scorched earth war with the rest of Humanity. 

    You have undoubtedly recognized that the above narrative reflects the logic of Copyright Holders, repeated again and again in the case of De Jaz 1; in the case of MegaUpload; in the case of The Pirate’s Bay; in the current dispute between GrooveShark and UMG.  In all these cases, Copyright Holders distinguished themselves by their ability and willingness to bend or change or go outside the law to snuff out emergent Competitors threatening their Monopoly previledges. Moreover, this is undoubtedly the same tired reasining we will find behind all future cases against Filesharers. 

    We must ask ourselves not only why this logic so consistently fails; but, equally important, why this logic so relentlessly repeats.  

    Two vast failures underlie this logic:

    First:  Why have Copyright Holders so completrly underestimated the stamina and resourcefulness of their adversaries? 

    Second:  Why have Copyright Holders so completely underestimated the sheer scale of Liabilities implied by their enforcement actions. 

    Reflecting on these questions will only make us stronger. 

    • Guest

      here here

  • mariejeankdkdk

    Story Exposed .. Read this Article tinyurl.com/artsdcfdf

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  • TraceLoop

    Copyright was put in place to protect creators, not distributors. The creators gave the right to Universal to sell their music for them, something that in that day and age, they couldn’t do alone. They needed to put themselves behind a company and the company would take care of advertising them and making them known across the country. The share of the money these companies got for that music is, if you think about it, supposed to go directly back into continuing to distribute the music. It covered the cost of ads and making the physical records.

    Two things: One, these songs are over 40 years old, and the people who made them are dead and the money most definitely isn’t going back to them and supporting them as artists. They no longer need money to travel and put on shows or buy new instruments. They’re dead. Dead. And two? The companies rarely sell cds these days of old songs, and when they do, they’re on massive ‘greatest hits’ compilations. How are we even supposed to find rare songs? We want to show our friends something, and where do we go? Online.

    The truth is, the idea that an artist needs to sit behind a company to distribute their music for them is becoming, frankly, archaic. It costs no money to duplicate a file. We don’t need to make posters to hang everywhere. It’ll cost someone once to make an ad, and it’ll still cost to convince people to display ads on their site, but there is no cost of materials anymore. There is absolutely no need for a middle man. 
    Universal and similar companies in the ‘music industry’ are becoming obsolete. For the first time, artists can gather 100% of their own profits. And in doing so? Even if there ARE pirates, they’re STILL getting more than the -percentage- they get back from the companies. And it’s laughable. Self innovation is the way to go. If you want to be lazy and have no idea how to become popular without a company holding your hand, sure, stick with a company. We understand artists need money to put on tours and buy new instruments. Even the most hardcore pirate understands. We’re willing to support artists all the way, especially if we like what we’re hearing. We just don’t know where our money is going towards when we use a company that does NOTHING for you is taking your money. We will continue to buy your t-shirts and visit your concerts, but we’re uninterested in physical products otherwise, and everything we are interested in costs zip to reproduce, so the companies really are, at this point, screwing YOU over. Go do it yourself, it’s not that hard. I feel sorry for all artists who have already sold their souls and cannot get them back to legally use grassroots distribution methods.

    • teenygozer

      The artists never got a cut of the profits from any of those “Greatest Hits” compilations when they were alive, and their families won’t get a penny now that (some not all) are gone.  Not a penny.  It’s always been pure profit for the corporations that market them.  Personally, I bought them when they were 8 tracks and LPS, then again when they were CDs, and I’m not gonna pay for them again when it’s easy to just rip them.  (I skipped the audiotape-purchase step because I had a neat little Aiwa setup where you could play a record and record it to tape.)

    • Ophelia Millais

      There’s still a role for distributors, because artists aren’t particularly business or technology-savvy, they don’t have all the connections they need to get their product into all the various legal venues where it can be sold, and those venues don’t all have the resources or desire to interact and contract with, and become legally liable to, a bazillion finicky artists who all think they deserve better than whatever they’re getting. With the help of these distributors (TuneCore being the big one, though not without its critics), it requires very little of artists to get their music “out there”, i.e. accessible. Then all they have to do is promote the hell out of it, easier said than done. You’re correct though; artists don’t need major labels or traditional record deals just to get distribution.

      • http://profiles.google.com/zerianis10 Christopher Kidwell

        Actually, Ophelia, it’s not that hard to be ‘business’ and ‘technology’ savvy today. I could set up a business from home for these guys in an afternoon and they could be selling their stuff online tomorrow.

        To say that it is ‘difficult’ is to ignore reality.

  • GeorgeDWarren

    These archaic companies, along with the government, do not understand the concept of futility.
    Before 9/11 the govt has spent billions upon billions of dollars in defense and intelligence, 9/11 happened anyway. Then they spent trillions to eradicate terrorism and capture osama. The finally did capture osama 11 years and gazillion dollars later. Terrorism is still alive and thriving. ie futility!
    The same goes for these huge media companies, they are spending hundreds of millions to protect their content and you can still easily download almost anything, and for just a few dollars, be completely hidden. ie futility!
    It’s like trying to wipe out an ant colony by killing 1 ant a day, futile.
    They have to rethink the business model. I suggest they align with ISPs to provide a monthly “media service”, where you pay a monthly fee that includes internet and music and movie access, charge more for concert tickets and more for 3d / 4d /imax movies to compensate.

    • http://profiles.google.com/zerianis10 Christopher Kidwell

      True…… terrorism can only be, once and for all, defeated by getting rid of it’s root; Religion. Unfortunately, the religious bastards will fight us tooth and nail trying to get rid of that because they need ‘something more’ to justify their lives.

      I.E. they are so self-worthless that they cannot deal with reality without their ‘god’, i.e. the drugged milk of the masses.

      • hosa

        Seriously?..go fuck yourself. u probably think muslims did 9/11 dont u?
        ur comment is soo redneck that it describes the person behind it so i wont make an effort to convince somone as dumb/ignorant as u. i actually am not believing that ur THAT stupid right now, but u are only here to mislead people.

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  • guest

    I’m an independent artist and tried to get my music up on GrooveShark. The people there couldn’t have been more helpful.

  • KATE ADAMS

    discover the truth .. Read This Article financialsreports.blogspot.com/

  • Thejulianeffect

    I hope they can drag out the federal case because I’ve been hearing some interesting rumours about Groovesharks next upgrade having Flattr integration which could really disrupt the music biz.

  • amandajhonson35

    You’re right, I was just blowing steam because, watching them get away with so much shit to companies is maddening. Hopefully we can change all that through making universal obsolete. Younger generation will do that for the rest of us. tinyurl.com/c4wm67e

  • sarahadam642

    I’ve read thru some of those comments and they are quite enlightening. And depressing. DISCOVER THE TRUTH BEHIND…  ……=> FinancialsReports.blogspot.com

    • hosa

      its depressing that ur spamming… and with invalid links

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  • http://www.specialneeds.com/ Frieda Bergman

    The latter must do to receive safe harbor protection, yesterday the Court reached its decision.

  • http://www.northpines.org/ Jimmie Denny

    That injury to a competitor [Grooveshark] is not “injury to competition as a whole.

  • http://www.facebook.com/people/Fluck-Yeah/100003569664724 Fluck Yeah

    The music “industry” has become obsolete. 

  • http://www.undergroundproductz.com/ Dominique Paulson

    it exists to stop service providers being held responsible for the infringements of others.

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